ABOUT NANJO KOBO Creating the Sound of Prayer:
The Craftsmanship and Spirit of Nanjo Kobo.
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ABOUT NANJO KOBO

Creating the Sound of Prayer:
The Craftsmanship and Spirit of Nanjo Kobo.

Nanjo Kobo was founded in Kyoto, around 1800, in the late Edo period.
We have passed down both our techniques and sensibilities for over 200 years, specializing in the creation of「narimono / ritual instruments」used in Shinto and Buddhist practices.
We craft each of our narimono instruments, such as orin (standing bells) and shōko (small gongs) used in Buddhist rituals—entirely by hand.
But these are more than mere instruments that produce sound.
They are essential tools that create「ma / pauses」in prayer, purify the space, and bring stillness to the heart.

Over 200 Years of History and a Unique and Unparalleled Casting Technique

One of the oldest surviving works by Nanjo Kobo is a hayashi-kane (ceremonial festival gong) preserved on the「Ōfune Boko」of Kyoto’s renowned Gion Festival. It has the inscription “Tenpō 10 (1839)”, alongside the name Kanzaburo Nanjo.
Our continued deep commitment to creating ritual instruments with a clear, unwavering ring has continued since, earning the trust of Buddhist temples, Shinto shrines, and festivals both here in Kyoto and across Japan.
During the time of the fifth-generation master, Kanzaburo Nanjo, extensive research was conducted to further refine the sound quality of orin (ritual standing bells) by optimizing the blend of copper and tin used in the sahari alloy.
This carefully balanced formula has been passed down and perfected in the iconic「Kanzaburo Orin」, the signature of our workshop.
To fully draw out the unique qualities of sahari, we employ the traditional method of “yaki-gata chūzō”, in which clay molds are fired in a maki-gama (wood-fired kiln).
Nanjo Kobo remains the only place in Japan that continues to produce orin bells using this traditional method.
おりん

The Perfect Harmony of Six Craftspeople, Spanning Generations

The unique sensibility and skill held by each artisan.
It is the fusion of these qualities that gives form to sound-creation at our workshop.
Our craftspeople are at the heart of everything we do. Techniques passed down through generations are the foundation, to which each artisan adds their ingenuity and care as they continue to create sound.
At Nanjo Kobo, six artisans from different generations are devoted to orin-making every day.
From veterans with over 50 years of experience, to younger artisans who will lead the craft into the future, each one brings their own experience and individuality to the process, supporting one another through a division of labor.
During casting, which takes place several times a month, all the artisans gather together and work with intense focus, handling fire and metal while attuned to one another’s rhythm.
This shared, unspoken synchronicity—a-un no kokyū—is the essential foundation that supports the workshop’s sound creation.
At Nanjo Kobo, there is no retirement age. As long as artisans continue to refine skills and expertise, they can continue working indefinitely. Age is not a constraint—what defines a craftsperson’s value is their sincere dedication to making, as well as their experience and intuition accumulated over many years. This is the belief of Nanjo Kobo.
Furthermore, at Nanjo Kobo, we have a ‘No-Overtime’ ethic.
Working with focus and efficiency within limited hours—this steady, intentional rhythm is the secret to sustaining beautiful craftsmanship without strain.
From repairing tools and molds to maintaining the workspace, everything is handled by the craftspeople themselves.
The workshop is not just a place of work; it is an integral part of the craftspeople’s lives and a vital place for nurturing their skills.
RECRUIT Would you like to take part in shaping the future of regional crafts?

Returning Everything to Sound: The Workshop’s Inherited Wisdom of Circular Production

At Nanjo Kobo, we place great importance on circular or closed-loop production —a practice that ensures no material is wasted and everything is given new life.
After casting, the used molds are crushed, finely ground, and carefully sieved by particle size to be reused as raw material for the next molds.
The water used in the mold-making process is rainwater collected at the workshop.
Even the metal shavings produced during the cutting and finishing of orin are not discarded; they are melted down and used again.
In this way, Nanjo Kobo has established an almost entirely sustainable production process with virtually no waste, with only a small amount of fragments that cannot be reused.
The workshop, built about 60 years ago, was designed with the goals of「eliminating waste」and「creating better sound with limited materials.」
Established during an era when resources were scarce, it embodies a spirit of ingenuity and resourcefulness that continues to serve as the foundation for the making of sound today.

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